Stitching the Intifada: Embroidery and Resistance in Palestine
Stitching the Intifada: Embroidery and Resistance in Palestine
Stitching the Intifada: Embroidery and Resistance in Palestine
Stitching the Intifada: Embroidery and Resistance in Palestine
Stitching the Intifada: Embroidery and Resistance in Palestine
Stitching the Intifada: Embroidery and Resistance in Palestine
Stitching the Intifada: Embroidery and Resistance in Palestine
  • Load image into Gallery viewer, Stitching the Intifada: Embroidery and Resistance in Palestine
  • Load image into Gallery viewer, Stitching the Intifada: Embroidery and Resistance in Palestine
  • Load image into Gallery viewer, Stitching the Intifada: Embroidery and Resistance in Palestine
  • Load image into Gallery viewer, Stitching the Intifada: Embroidery and Resistance in Palestine
  • Load image into Gallery viewer, Stitching the Intifada: Embroidery and Resistance in Palestine
  • Load image into Gallery viewer, Stitching the Intifada: Embroidery and Resistance in Palestine
  • Load image into Gallery viewer, Stitching the Intifada: Embroidery and Resistance in Palestine

Stitching the Intifada: Embroidery and Resistance in Palestine

Regular price
£12.00 GBP
Sale price
£12.00 GBP
Regular price
Sold out
Unit price
per 
Tax included.

PREORDER FOR RELEASE ON 19 SEPTEMBER 2024

ANY OTHER ITEMS IN YOUR ORDER WILL BE POSTED AT THE SAME TIME

Tatreez — elaborate hand-embroidery — is an ancient Palestinian craft characterised by remarkable beauty and complexity. Beginning with an introduction to the regional diversity of historic Palestinian dress, Rachel Dedman traces the politicisation of embroidery after the Nakba of 1948. From its evolution into a symbol of the nation, to its powerful presence during the First Intifada, and reimagination by contemporary artists, tatreez in Palestine embodies many forms of personal and public resistance. 

Proceeds from this book will be donated to the Palestine Red Crescent Society, whose mission is to provide humanitarian assistance as well as health and social services to Palestinians whenever and wherever needed. 

About the Author

Rachel Dedman (b. 1989, London) is a curator, writer, and art historian. Her work examines the material and political lives of things, and challenges established narratives around cultural production in the Global South. Since 2019, Rachel has been the Jameel Curator of Contemporary Art from the Middle East at the V&A, London, where she curates the triennial Jameel Prize exhibition and the Jameel Fellowship artist residency programme. Beyond the V&A, Rachel curated Material Power: Palestinian Embroidery for Kettle's Yard and The Whitworth, UK, in 2023/24, and was co-curator of the State of Fashion Biennale 2024: Ties that Bind in Arnhem, the Netherlands.

ISBN: 9781068625015

80pp

210x125mm

Written by Rachel Dedman

Edited by Laura Moseley

Design by Chris Shortt.

Delivery

All orders are sent via the Royal Mail.

We aim to dispatch orders within 1-5 working days. We are a one-person team and volunteer run, so please be patient if your order is not dispatched immediately. 

For UK orders, we dispatch via First Class post unless you have chosen the Tracked option, which will allow you to track the order on its way to you. Both services aim to deliver on the next working day. 

For all international orders, we dispatch via International Standard delivery unless you have chosen the Tracked option, which will allow you to track the order on its way to you. If you order is to Europe, both services aim to deliver in 3 to 5 working days. Anywhere else, the delivery aim is 6 to 7 working days. 

Please note that it is possible for orders to be lost in the post. Especially international deliveries. If you order is lost, please email hello@commonthreadspress.co.uk and we will issue a replacement.

Returns and Refunds

We do not accept any returns or refunds. Apologies for any inconvenience this may cause. If you change your mind about your order, you can cancel it before it is dispatched. After it has been dispatched, unfortunately there is nothing we can do.